Headphones Covered

Finished project report! I'm quite pleased with my knitted headphone covers. It was a good experimental knitting project, figuring out how to make the covers and then doing it again and again to get it right. Because it was a trial and error process, at first I didn't think it would be worthwhile to blog the instructions. And besides, just how many people with old headphones would want to knit new covers for them? But then I realized that the knitted covers are a nice way to personalize a mass produced item, and plenty of knitters would like to do that. Even if the instructions for my covers don't work perfectly for someone else's headphones, it would be a place to start. So, here's the tutorial:

Covers for Sony Dynamic Studio Headhones MDR-V300 using 2 1/2 mm knitting needles and a bit of organic cotton yarn

Cast on 58 stitches. Knit a row, then purl a row for 13 rows. (Some people call this stocking stitch, but there seems to be different ways of counting rows of ss. Your headhone covers may need more or less rows to cover- it took me 3 tries to get a good fit.)

Start decreasing. Depending on if your last row was a knit or a purl, do the oposite and purl or knit 9 stitches, then two together, then another 9 stitches, then another two together, until you finish the row. My rows finished with 3 stitches after the last two together stitch. So on the next row, I started with 3 stitches, then 2 together then 8 stitches. This will all vary by size and tension, but here is what I ended up doing:
Row 14: knit 9, knit 2 together,knit 9, knit 2 together, knit 9, knit 2 together, knit 9, knit 2 together, knit 9, knit 2 together, knit 3
Row 15: purl 3, purl 2 together, purl 8, purl 2 together, purl 8, purl 2 together, purl 8, purl 2 together, purl 8, purl 2 together, purl 8
Row 16: knit 7, knit 2 together, repeat to end of row which will be just 3 knit stitches
Row 17: purl 3, purl 2 together, purl 6, repeat to end
Row 18: knit 5, knit 2 together, repeat to end which will be just 3 knit stitches
Row 19: purl 3, purl 2 together, purl 4, repeat to end
Row 20: knit 2 together for entire row
Cast off, leaving a thread long enough to sew up the edges and gather round the ear piece. Check it against the ear piece. It should fit over with just a bit of stretching. If it doesn't fit, note down what to try different and pull it out and start over.

If it does fit, start the sewing up with the thread left at the end, then put the cover on the ear piece to sew it over the wires, then continue the thread around the outer edge gathering it to fit. Tie it off to the thread at the start of the piece and trim or tuck in the ends. Put them on, plug them in and play some good tunes.

Now, that's the way I've done it, but I have a feeling there's loads of tweaks and improvements that could be made. I'm not that great at knitting, so adding patterns, ruffles, tassells, etc. is a bit beyond me, but the headphone covers as an idea could definitely be taken further. Or, the covers can be simple and functional, like mine.

So, for the analysis:

The good: The covers have made the headphones usable again, which is nice. And I do like the way they are 'peronalized' now.

The bad: Because this project sat in my to-do pile so long (and by that I do mean years), P has new headphones and so doesn't need these now.

The ugly: I am a bit bothered by the way the casting off stitches stand up. This is probably due to my awkwardness in casting off rather than the pattern itself.

 

Review of Hat Works Decade Parade

Though I don't consider myself a hat person, I do like to go to the exhibits at the Hat Works. Yes, some of my enjoyment is just because I can go on there on my lunch break, taking a break from sitting at a desk all day. However, they do put on some inspiring stuff, and I always come away with ideas to try in my own crafting.

The current show (on until 28 November 2010) is a competition to celebrate their 10th anniversary. I have no idea how they came up with the idea of a miniature hat competition- it's not what would have sprung to my mind. But the show is full of interesting fabric sculpting ideas, so I'm very glad they put it on.

I actually went to the show before going on vacation, but because I couldn't remember the makers' names, I went back last week and MADE NOTES! So, now I can blog without making constant apologies for missing people's names.

I'm just putting down what caught my eye, what I want to remember for my own crafting projects, but really, I want to thank everyone who participated in the show. It's packed with clever, quality work, and I feel like seeing such a variety of work helps me understand more about what I'm personally interested in. (Does that sound totally self-centered, or only moderately self-centered?)

• Molly Bunce is the competition winner in the professional strand. Lots of what I would call fabric manipulation- making little bundles tied around what I assume are cut out shapes or bits of stuffing. Very interesting, organic shapes, reminds me of lichen. I'm wondering if it can be applied to quilting.


• Judith Flack's Le Souk features wonderfully frayed rolls of hand dyed fabric.


• Recycled Haberdashery by Ruth McGarry has what looks like a hessian base, a surprising choice for a feminine hat but I really liked it. Her fabric flowers with the blue yarn centers really caught my eye, and obviously I liked the recycled aspect or the piece.


• I'm also thinking about using something like the little bouquets stuffed into fabric folds in Vernoica Hartley's Contrasts in a quilt. It reminds me of the encrusted crazy quilting Sharon B does, perhaps because of all the rich colour and texture.


• Using the edge of braid/ribbon to build up a shape, Lorna Muir's Dansette looks so clever. I've wondered about something similar with folds of fabric, and her work made me realise how it would work.


• I adore the flower on Striped Suprise by Laura Hankey. The petals are of two pieces of fabric, sewn, turned, stitched down. I've seen similar, simpler flowers as quilt embellishments (my google-fu is too weak to find it again), but the one on the hat had loads of petals, inner ones plain red and larger outer ones in a blue stripe fabric! I wouldn't have thought of striped fabric for petals, and it looks so good!


• The woven ribbons on Maureen Brook's Buttons, bits and bobs makes me want to play with the ribbons I've collected over the years. My ribbon box is too full to close completely. Perhaps I should do a piece of weaving just to tidy things up.

Legs! Brilliant!!!

I was knitting on the bus this morning, and I overheard a kid talking to a friend. "I don't know how you'd get there. Oh, you could walk! Because you have legs!"

I am so mature, that I concentrated on the knitting until they got off to go to school. Then I started giggling. Makes me glad to have legs.

On the way home, a bit of a faux pas. I didn't realize the older lady getting on the crowded bus really did need to sit. Luckily, a woman sitting behind me did realize and gave up her seat. Feel like I didn't read the situation as well as I should have.

Knitting report

It takes about a week to knit one earpiece cover on the bus. Since I've been knitting for two weeks, does that mean I've got a finished project to report on? Um, well, er...

The problem is, that I've twice made covers that are just too big. The first was too big all round, so I pulled it out and started again. The second was the right circumference, but too long and didn't taper enough. I did make notes along the way, so I know what to adjust for my third attempt. Hopefully it will be a Goldilocks just right, and I can finish the project completely in another two weeks.

I missed posting on my blogoversary last week. I had intended to do a big year in review and current projects run down, kind of a planning exercise. But I was feeling tired, like I was trying to do too much, and it just didn't feel like fun. So writing that post is on my to-do list, which seems a bit counterproductive, but that's ok.

Book report.

Moby Dick or, The White Whale, Herman Melville, 1851

Finally, I finished reading Moby Dick yesterday. Yes, it did take two months to get through. As I’m sure there are plenty of people who know of the book and may be tempted to read it someday, I won’t spoil the ending. If you like the first chapter, it is worth it to finish the whole thing, take your time. It doesn’t dribble out towards the end. The very last sentence packs an emotional punch.

If you don’t like the first chapter, put it down; it starts as it continues. Melville is very fond of fancy-talk, complicated words, cultural references and phrases like poetry. At one point, he seems a bit over fond of the word “monomaniacal” but he gets past that.  From the foreword, it seems the Melville was wanting to explore the nature of truth and human existence, using symbolism with multiple and sometimes contradictory meanings. The characters and situations aren’t supposed to feel realistic, but to explain deeper meanings. Without the foreword, I wouldn’t have understood that. I can only say I enjoyed it for the language rather than the plot or characters. I don’t understand Ahab. That sort of motivation just isn't in my nature.

In Ishmael, Melville did create quite a character. He’s tough, but very intellectual and not at all humble about it. Generally, I think of myself as familiar enough with the classics to at least keep up with the overall meaning of a reference. But Melville’s Ishmael seems to delight in casually pointing out my cultural ignorance, as well as my ignorance of whaling (which is perfectly understandable).  I don’t think this is simply because of the 150 years that have passed. I’ve put 33 scraps of paper in the book, marking points where I just don’t know what he’s on about (the lack of access to Google on the bus is probably a blessing, otherwise I would have spent even longer looking all this stuff up). I am particularly interested in the reference to Darmonodes’ elephant.

Now, I could be wrong here, but I found Ishmael very funny, a narrator with a wicked sense of humour. From chapter 13, Wheelbarrow:  “I settled my own and comrade’s bill; using, however, my comrade’s money.” How can that not be funny? The book isn’t full of jokes, but there are points where Ishmael is poking fun, rather than just being moody. Or maybe it’s just me.

On a different note, I had a very superstitious day yesterday. Shortly after finishing the book, a black cat crossed my path, which was quite cute. The bus had stopped at a crossing point, and as it was beeping a cat jumped down from the wall on our side of the street and casually crossed to the other side. I also saw a dead pigeon, which wasn't cute. But then getting off the bus on my way home, I found an especially nice button.

Today, I'm back to knitting. P's got an old pair of headphones where the 'skin' is flaking off the ear pads. I said I would try to make covers for them, and the headphones have been in my crafting pile for, oh, about 5 years now. Hopefully it will only be another month before they are out of my pile and back into active use.

My summer vacation: Helsinki

Finally awake enough to blog about our trip to Helsinki. I do feel a bit guilty about flying- all that carbon dioxide, and other pollution as well. And I also feel guilty that I didn’t recycle my drinks bottles while I was there. Yes, I should have just asked how to do it, but I feel very awkward talking to people. My bad.

We didn't see any moose or flying squirrels, but I did have a neat wildlife encounter. While trying to photograph dragonflies at Nuuksio national park, an especially large dragonfly landed on my chest, on the left side of my cardigan, exactly where a broach would be worn, like those big Art Nuevo dragonfly broaches. It was big enough to notice the weight of it. No photo because it flew away too quickly, perhaps because I was covered in insect repellent.

Nuuksio is beautiful and very quiet. My initial impression was that it was like the Lake District. But the walking is very different. The ground is bouncy, maybe because it's thin dirt over granite, or possibly something to do with the hot summer.

Helsinki is packed with cute buildings, and loads of low relief decoration. I noticed several bears with flowers, especially big ball roses. Despite having a translation of the Kalevala on my bookshelf, I’m not familiar with Finnish iconography, so I have no idea if bears have a particular symbolic meaning or not. Yes, I know bears will eat you, but they do look cute with flowers.

The ball roses in those reliefs triggered an idea to try some fabric manipulation. I’m curious about how a strip of fabric would work up if used to make a spider's web rose. I’m also inspired by some pastries and cinnamon rolls, to try to copy the shapes of the pastry in fabric, not to make a toy pastry (fabric fake food is just wrong, cruel even) but just a 3D fabric manipulation as part of a quilt or embroidery. If anything, I've been a bit over inspired by the architecture and food. It makes me want to randomly start new projects at a time when what I meant to do is concentrate on finishing stuff. What I ought to do is capture the enthusiasm in a journal, and let the ideas mature into something that I feel would work in fabric. (That's what I learned from Sharron B's course!)

Helsinki has a higher craft shop per capita ratio than Manchester. I didn't find any nylon embroidery ribbon, but I did buy some thin organza ribbon instead, some cotton lace (one of my favourite things) and a foam kumihimo loom. The conversation on Craftster is still relevant. There's also Punainen Lanka, upstairs in Hakaniementori covered market, for laces and ribbons, plus other haberdashery, including petticoats! The pastries downstairs and the fruit stalls outside at the market are worth seeing, too.

To keep my crafting needs satisfied while on holiday, I had packed an old shirt with a worn out collar (the stripy background fabric in the picture here)and some embroidery thread. Careful unpicking of the collar and re-seaming with a bit of running stitch should have given me a grandfather shirt. I was feeling quite pleased with it, but then noticed another hole worn through the front of the shirt, just above the buttons. How had I missed that? Now, I don’t want to have just wasted my mending efforts, but I am a bit flummoxed about how to salvage the shirt. Maybe I should put some of that lace over it.

And today on the bus, I was back to reading Moby Dick. It's a classic but very slow read.

too lazy for fun

On my way home from the office, I try to sit on the right side of the bus. It's to spoil myself with a better view of the clothing in the Islamic Relief shop on the way home. I dream that someday there will be room in my fabric stash to buy something there, a random treasure, brightly coloured and embroidered, to turn into a quilt block, or something.

But today, I sat on the left side; that's the side by the bus stops here. And I wasn't reading, just staring out the window. So I had a good view of the big black four hole button on the ground at the bus stop just past Longsight library.

Now, bear with me if I've explained this before, but I collect buttons. Not in the serious 'glass-imitating-jet-because-Victorians-were-like-that' button collecting way. No, the buttons I'm after are common, but special in a different way. I collect lost buttons. Someone else has the bad luck to lose a button, and then I have the good luck to find it. A little bit vicious, just a little bit, profiting off others' misfortune. (Please note: I don't fight a person for the button that has just fallen off their coat. That would be rude, and far to interactive.)

Anyway, to get back to the story, this button was an ideal specimen for my collection, but I was TOO LAZY to get off the bus. There was nothing keeping me on the bus. I wasn't in a hurry home, and traffic was moving, so the next 192 would have been only 10 minutes away at most. But instead of doing something just a little bit fun, I just sat there. Not good.