It's nice that even when galleries haven't been allowed to open, they are still able to encourage artists.
Just checking out what the CFCCA have been up to led me to Frances Yeung's Finding Feminity in the Archive. I was especially touched by her Love is Chores. It reminded me of a talk I went to at the Whitworth Art Gallery, "Uzbek Suzani embroideries" by Noorah al Gailani, which the internet tells me was back in the summer of 2019. It was very well attended- I arrived late and the staff were putting out extra chairs.
The embroideries concerned are large wall hangings made as dowry pieces. They were shown to display skill, wealth, increase good fortune, and so on. Ms al-Gailani mentioned that these embroideries were an expression of love, the families' love for the daughters that were leaving them to live with their husbands' families. The time, work and expense, to express love. It struck me as the same reason women (and I suppose some men as well) make embroidered samplers to celebrate family events.
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